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hometheaterhifi.com | 520: Web server is returning an unknown error
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- Summary of article content: Articles about hometheaterhifi.com | 520: Web server is returning an unknown error That’s why Onkyo designed their first sound bar, the LS-B50. Its built-in six-channel amplifier and eight drivers reinvigorate TV shows, movies, … …
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Onkyo LS-B50 sound bar review: An underwhelming home-theater effort | TechHive
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Onkyo LS-B50 Soundbar System review: Onkyo LS-B50 Soundbar System – CNET
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Onkyo LS-B50 Soundbar
Introduction to the Onkyo LS-B50 Soundbar
The “soundbar” business must be booming, or at least manufacturers are banking on it doing so, as just about everyone has come out with one if not several offerings. The gambit seems logical: jam a bunch of audio transducers into an enclosure which tucks in under the typical display panel, usually with a separate small subwoofer, offering better-than-built-in sound. Onkyo is a big name in consumer AV, best known perhaps for their much lauded Surround Sound Receivers. The subject of the current review is their latest take on this mass market soundbar segment: The LS-B50, part of their “EnvisionCinema” line of products.
ONKYO LS-B50 SOUNDBAR SPECIFICATIONS Main unit Drivers: Two 1″ Ring Tweeters, Six 2.75″ Midrange Drivers
Inputs: Optical;Coax Digital;1/8″ Analogue (shared), BlueTooth, USB Media.
Remote Control with IR Blaster Function
Dimensions w/Stand: 3.76″ H x 35.8″ W x 3.5″ D
Weight: 8.6 Pounds Bass Unit Driver: One 6.5″, Ported Enclosure
Wireless Connectivity to Soundbar
Dimensions: 13.25″ H x 10.25″ W x 10.6″ D
Weight: 12.8 Pounds
MSRP: $699 USDMSRP
Onkyo
SECRETS Tags: Onkyo, Soundbars, Audio
No one can claim a unique offering as such. While getting the bare basics of audio fidelity right should be a matter of course, a sizeable appeal for the target market is something which “just plain works” out of the box.
Onkyo is a big name in consumer AV, best known perhaps for their much lauded Surround Sound Receivers. The subject of the current review is their latest take on this mass market soundbar segment: The LS-B50, part of their “EnvisionCinema” line of products.
Design and Setup of the Onkyo LS-B50 Soundbar
The system was packed well, and the box was easy to get into and unpack (assuming one notices the “open here” labels on the fat end of the carton). Out slides an open-face box with the bar itself encased in good quality #6 expanded styrene (not the cheap kind which flakes apart and leaves you finding little white bits everywhere for a week!). The woofer unit came strapped between two more such pieces.
The main unit is a curious piece of gear in terms of its transducer arrangement. Working from the outside in, each half gets a pair of 2.75″ midranges and what looks like a coaxial midrange/tweeter but which in reality is an unorthodox 1″ ring tweeter. Additionally, the ends of the bar each have an additional 2.75″ midrange firing sideways. The drivers are all covered in a rigid metal grille, something that I appreciate more than most, since our cat has something of a penchant for cloth speaker grilles! On top there are buttons for power (which doubles as the input selector), volume +/-, and sound “mode” (which we’ll delve into later). On the back, in addition to the power jack of course, we find in a blessedly decent spaced recess Optical Digital and Coax inputs, a 1/8″ stereo analogue input In a separate recess are a single USB port and an IR blaster jack. This last can be used with the included IR emitter: if the soundbar blocks the IR remote control receiver on your TV, the Onkyo will pass along anything that its receiver picks up. Wall-mount hardware per-sé is not supplied since keyholes are built-in (a decent sized screw appropriate for your wall material should be all you need).
Onkyo claims a frequency response of 120 Hz -20 kHz, which is meaningful only in that it suggests a nominal crossover frequency to the woofer module of 120 Hz. Amplification power is not discussed, but the wall wart specifies 21VDC/17watts, which means even with switching amplification, the output will be low.
The woofer unit is characteristic of these types of products: a diminutive cube with a single bottom mounted 6.5″ woofer next to an associated reflex port. Being of the wireless design, there is no umbilical connection to the sound bar, leaving us with just the power cord and a “link” button. Onkyo claims a 20 Hz-120 Hz frequency response which seems a bit of a stretch given the diminutive size of the woofer.
Setup was a snap…I mean, this is by a wide margin the easiest deployment I have ever done. The “hardest” part was screwing the included feet to the sound bar. After setting it on our cabinet in front of our living room TV, I connected its power cord and used the included Toslink optical cable to connect our Motorola HD box. Likewise, the woofer unit’s power cord got plugged in, and I was done.
The Onkyo LS-B50 Soundbar In Use
The supplied remote is of the ubiquitous miniature type. The buttons were mushy, lacking a positive feel, and we were forever losing it between the cushions. Facilities include power, mute, volume +/-, woofer level +/-, input selection, and play/pause/Fwd/Rwd (USB device control). In an unusual twist from the norm, the power button does NOT turn the unit on, only off. To turn it on you press one of the input buttons.
Of course in order for any such system to live up to its “simple to use” promise, it would have been better not to have to deal with a remote control at all.
The unit will respond to the remote codes of the top nine brands of TVs. At first this seems like genius: our incumbent remote did in fact change the volume on the Onkyo. Unfortunately it also continued to change the volume on the TV’s built in speakers, resulting in both voicing sound. This not only disturbs the attempt at audio fidelity, but introduces a nasty echo into the room (as the onkyo’s sound is substantially delayed by its DSP). This may not be the case for all TVs in that some will have an option to simply disable their built-in speakers altogether, but in my experience, that’s the exception, not the rule, so the feature was useless in my situation.
That detail aside, the system’s function is pretty straight-forward. It’s worth noting that the Optical, Coax, and analog inputs are really one, the idea being that you will only use one of them to connect your TV (or primary cable box): With a digital source connected, the analog input is mute.
Pairing the Onkyo to our iPad Air via Bluetooth was simple and trouble free, though the audio quality was what one would expect from a unit with a 6.5″ woofer. We did use the feature, but for quiet background music only.
These days, virtually everything outside of the most basic receiver and speaker arrangements employ DSP (Digital Signal Processing), in many cases by necessity. Without it, it would be next to impossible for speaker systems like sounds bars, and their accompanying woofer units, to achieve anything resembling a decent output, particularly given the austere amplifier power available. Instead of simply targeting a traditional, neutral and balanced stereo output, Onkyo employs what they call AuraSphere “Panoramic 3D Sound”. You are forced to choose between three settings, colloquially labelled “Music”, “News”, and “Movie”. .
Each mode is radically different from the others, thanks to both the nature of the EQ applied, but moreover in their use of the “side” drivers versus the front ones. None of the choices presented deliver what I would consider a high-fidelity output. It is of course impossible to know what Onkyo is doing under the hood but my ears break it down as follows:
Music – This mode seems to deliver a fairly in-your-face sound. The audio content from the sides is identical to the main channels with some sort of shaping applied. While tolerable for its namesake, any other material just sounded wrong on this setting.
News – Clearly some sort of steep band-pass filter is applied here, almost sounds like people are talking through a paper cup compared to the previous mode. The side drivers are not used at all. Indeed it omits the boomy sound which is a consequence of boosting the upper bass, though in my mind if the system has a balanced, neutral output to begin with you never have the issue to address in the first place. Movies – Of the three this is the one we ended up using the most, not because it was particularly pleasing, but because it was the best among the three choices. As with the music mode, the side drivers simply duplicated the fronts in terms of content, but in this mode, seemed shaped with a treble bias.
It should be noted that there is no evidence of pseudo-surround. I had thought the side firing drivers might deliver the surround channel of a 5.1 (or matrix encoded 2.0) source (if done out of phase it can produce a vague facsimile of surround sound if you are seated just so), but that is not the case. By all accounts everything is downmixed to 2 channel and the side drivers are simply eq’ed copies of their respective front channel.
Bass response in all modes was fairly boomy, with a noted punch in the upper bass and usable in-room response of no lower than 40 Hz or so. Hitting the ceiling of the systems output was not too hard to do, with the characteristic harshness which sets in.
On the whole perhaps most telling is that my wife never used the Onkyo when watching TV, it just wasn’t enough of an improvement for her to bother turning it on and having to use two remotes. I’d also be remiss if I didn’t mention our sample was very temperamental in terms of turning on: sometimes it would, but all too often it required unplugging and reconnecting the power cord to get it to work.
Conclusions about the Onkyo LS-B50 Soundbar
Soundbars aren’t for everyone. Simple physics dictate that they cannot match the fidelity of even the most basic traditional stereo speaker arrangements. Conversely, nothing out there can match their ability to blend in visually, or their ease of setup. The wireless woofer alone is a deal maker for some.
It comes down to what you want for a given installation. The greater value may lie less in it being an instant home theater and more in it doing double duty as both an upgrade for the TV’s built-in speakers as well as a better than typical dock for your iPad/Phone. If however you buy into the hype that it will provide “3D sound” and fill your living room with high fidelity audio, you will be sorely disappointed.
If your TV speakers are particularly poor, upgrading them with this set will certainly help and you’ll get a background music device to pair with your Bluetooth enabled source, but those seeking satisfactory hi-fi in a soundbar are advised to look elsewhere.
Onkyo LS-B50 sound bar review: An underwhelming home-theater effort
Don’t make the mistake of thinking this entry-level sound bar is better than what the average TV manufacturer has to offer just because it’s made by an audio company.
Onkyo’s LS-B50 sound bar system didn’t arrive quite in time for our recent story comparing sound bars from TV manufacturers to their cousins produced by audio companies (Onkyo, of course, falls into the latter camp), but we wanted to consider it nonetheless. Like those systems, the LS-B50 includes a wireless subwoofer that communicates automatically with the 36-inch soundbar. Just plug both units into AC outlets, connect the sound bar to your TV, and the Onkyo is ready to rock.
The LS-B50 is a chunky block of a soundbar, having the appearance (and the visual appeal) of an elongated, plastic brick. Thinner and more sophisticated designs abound, but if your design sensibility is more in line with rectangular chunks (or Legos), it won’t stand out too painfully.
In keeping with many audio manufacturers’ low-end soundbars, the LS-B50 has limited connectivity options, comprising optical audio, coaxial, and a standard 3.5mm analog jack—though only one of these can be used at a time. Bluetooth connections are supported, and a USB port lets you play music through direct connection with a thumb drive or other portable media device (in MP3 format only). The lack of an HDMI port, however, is a major sore spot; for the record, I used the optical connection for my testing. An IR blaster is included in the box to help if the sound bar blocks your television’s IR port.
Onkyo’s sound bar boasts six channels and eight drivers; but if you think that means you’re getting a true 6.1-channel surround system here, think again. All the drivers (except the subwoofer) are contained in the sound bar proper, and its narrow width ensures that even with its “powerful 3D” movie mode turned on, you’re getting a fairly basic, 2.1-channel experience.
Christopher Null The Onkyo LS-B50 looks much more impressive than it sounds.
The sound bar’s amplifier offers 100 watts of output, and the downward-firing subwoofer packs a mere 40 watts. Despite these lackluster numbers, the LS-B50 was punchy enough in my testing to shake the room, but not necessarily in the most elegant way. Overall audio clarity was good, but the bass is so heavy by default that it’s tough to notice.
It took quite a bit of fiddling to get the bass and treble levels harmonized, even though the remote lets you adjust the subwoofer level independently of the master volume. The three sound modes didn’t seem to have much of an effect in my testing at all. The “movie” mode was somewhat of an exception in that it introduced a more enveloping sound field during movie playback and gaming; unfortunately, that came at the price of introducing a bit of echo into the room. Music was a tougher puzzle to crack; even when I pushed the subwoofer all the way down to its lowest volume, I couldn’t get the big, boomy tones under control for more ephemeral tracks.
Most soundbars offer some indication of their status, volume, or other mode settings through LEDs, text displays, or some other indicators on the device. The Onkyo basically has nothing in front to tell you what’s happening, just a single white LED to indicate that it’s turned on. While this isn’t that big a deal when you’re simply switching inputs, it’s more of a problem when changing among the three audio modes or raising or lowering the volume.
Christopher Null Placing all the indicator buttons on top of the cabinet reduces light pollution, but it makes them impossible to see when you’re sitting in front of your TV.
The top of the sound bar has indicators for its three inputs and three sound field modes, but this information is bizarrely hidden away where you’ll never see it unless you’re standing directly in front of your TV. Nowhere does the Onkyo give you a visual indication of the master volume level or the subwoofer volume level. You’ll just have to let your ears be your guide. As a side note I also encountered a strange issue once during my testing where the sound bar simply wouldn’t turn on, and had to be unplugged and reconnected to work again.
Christopher Null The remote control is easy to master, but you’ll probably use it only to control the volume.
The LS-B50 comes with a slim and basic remote that includes everything you need to operate the device, including basic play/pause/skip playback controls for USB-connected devices. But realistically, once you get the subwoofer set, you’ll only ever use the volume control. You can also use4 your TV’s remote to control the speaker (it’s been programmed to recognize codes from nine major brands, but it can learn any it doesn’t already know).
In the final analysis, the Onkyo LS-B50 is an entry-level sound bar that gets the job done, but its many limitations reveal themselves quickly in testing. Your investment will go further with a sound bar without quite so many limitations.
Onkyo LS-B50 Soundbar System review: Onkyo LS-B50 Soundbar System
Nicely compact, the soundbar is only 909mm wide. It can be fixed to a wall using keyhole slots at its rear or sit on sturdy little legs, which are supplied with the unit.
Onkyo doesn’t say a lot about what’s doing the work in there. Without indicating their sizes, it says that the bar controls six “full range cone drivers” and two “ring tweeters”. Peering through the grille over the drivers it appears that there two innermost of the larger drivers had tweeters built into them. No sizes are specified but they looked to be around 65mm. Each of the six full range drivers is supplied with 9 watts of power (presumably shared with the tweeters for two of them).
The subwoofer has a 160mm downwards firing driver in its base and uses a bass reflex enclosure with the port also pointing down in the base.
There are three — or is it five? — inputs on the soundbar. The unit will play back audio from a USB device (MP3 only), via Bluetooth, or from a ‘TV’. There are three connections associated with this last: optical digital audio, coaxial digital audio and 3.5mm analogue stereo. But you only get input selections of “TV”, USB and Bluetooth. Through experimentation I determined that the unit runs a hierarchy, with analog at the bottom. If you plug in coaxial digital audio, it will switch off the analog input and use the coax digital instead. If you plug in optical, it will override both coax and analog.
All of which is a pity. That means that for practical use you’re going to have to plug your disc player into your TV and use its optical output to drive the soundbar. Many TVs convert surround sound to stereo and get rid of the low frequency effects channel. Had you been able to switch between these inputs, you’d be able to leave one plugged into the TV and one into a player, using the latter input for best performance in disc playback.
You can set the unit up so that basic controls on your TV’s remote will control the soundbar. It comes with an IR “blaster”, which can be plugged into an output on the unit to pass on remote control signals to other devices, most likely your TV if its remote receiver is obscured by the soundbar.
(Credit: Onkyo)
In use
The soundbar and wireless subwoofer were pre-paired, so as soon as everything was plugged in, they worked together. Indeed, the moment I paired the system via Bluetooth to an Android device and started playing some “Switched On Bach” (a 1960s recording with marvellous bass), the subwoofer was all too obvious. The remote has a subwoofer level control, so I wound it down, down, down to the minimum setting, and it was kind of in balance but with a rather resonant, woody-sounding mid-bass. The deeper notes on the Moog sounded fine, but as they went up an octave they rang out quite a bit.
This turned out to be the result of two characteristics of the system. First, the subwoofer level adjustment had insufficient range. Presumably, Onkyo figured that the average buyer would like strong bass. But that doesn’t justify not providing a sufficient range of adjustment to bring it into balance with the rest of the sound.
Second, the bass response was peaky. At the minimum setting (with the subwoofer located in the corner of my office in which several hundred other subwoofers have done their work), the deep bass and the upper bass were in balance with the rest of the sound, but the mid bass — say around 60 hertz or so — was way, way above the rest.
I performed some measurements. Clearly there are limits to what a compact subwoofer can do, and the limits of this one were clear. Rather than providing a reasonably even band of output across an octave or more in the bass region, this unit produced a peak of output in the range of 60 to 83 hertz, falling away in output on both sides of the peak. Tones at 43 hertz were in balance with the mid-range sound. But tones around 70 hertz were 15 decibels higher.
That was with the subwoofer turned down to the minimum. I experimented with the subwoofer away from my favoured corner, but in the end, the slight smoothing effect on bass performance of the corner placement outweighed the slight reduction in output level, so I put it back. The result was not really overpowering bass so much as a boxy colouration of the sound.
The overall tonal balance of the system was a bias towards the bass, with it louder than the mid-range, and the mid-range louder than the treble. It wasn’t altogether unpleasant but not particularly accurate.
There was another colouration to the sound due not to tone but to the levels of the channels when fed 5.1 sound. The centre channel was about 10 decibels higher than the left and right, while they were in turn much higher than the surround channels (it made little difference whether Music or Movie sound mode was selected). In fact, the surround channel test signals started off loud and rapidly diminished in level, the left side more quickly than the right. The surround processing was clearly doing something weird.
With program material, there was little surround effect but an extremely wide stereo sound stage. Content that was supposed to be directly behind the listener’s head just muted away completely.
It was much, much better with stereo music because then the channel-level issue didn’t come up (except for the bass, of course). There, the slight bass forwardness and recessed treble was easy on the ear. Movies were delivered with a strong bass underpinning and good clean dialogue but nothing much in the way of a surround effect.
Conclusion
The combination of strong bass, low cost and Bluetooth support may make the Onkyo LS-B50 an attractive proposition for many people, despite my reservations about aspects of the sound. I’d suggest having a listen yourself to decide whether it would suit you.
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